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Whereas there’s a familiarity to this story, it spans a number of many years from 1906 to 1947, so we see younger Celie (Phylicia Pearl Mpas), her sister Nettie (Halle Bailey), and blues famous person Shug Avery (Taraji P. Henson) visibly age all through the film. “With this movie going down in a time interval, one of many issues that basically stood out to me, regarding the many conversations that I had with Blitz [Bazawule], our director, was that he wished our pores and skin — our darkish pores and skin — to mirror the way it actually seems to be and the way we actually age,” make-up division head Carol Rasheed tells Attract. “So usually, when Black pores and skin particularly is aged [in film], it appears to be over-aged.” Rasheed says she and Bazawule created temper boards to element the precise ageing course of and mentioned the make-up seems to be in nice element.
Celie’s Literal Glow-Up
Courtesy Warner Bros. Footage
In the beginning of the film, Celie has no voice — she is unable to advocate for herself, and the one actual love she ever skilled was from her late mom and finally estranged sister. This was mirrored along with her pores and skin. “You’ll discover that her pores and skin is the dullest [at the start of the film],” Rasheed says. “I did extra corrective make-up at first, taking out the pure glow that she had. I dulled out her pores and skin, took the pink out of her lips that she naturally needed to make her lips seem like anyone that may not dare placed on lipstick. That was the primary part.”
As soon as Celie is launched to Shug, issues start to alter along with her look. Rasheed allowed her pores and skin to glow, the pure shade of her lips wasn’t hid, clear mascara was used to open her eyes — she seems to be visibly happier. In her fantasies, she’s sporting crimson lipstick — an act of confidence in itself. Celie may solely dream of sporting lipstick and finally does so with Shug’s assist.
Shug’s Refined Glamming-Down
Courtesy of Warner Bros. Footage
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